Movie Review for Beowulf (2007)


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Beowulf

Review #566 of 365
Movie Review of Beowulf (2007) [PG-13] 113 minutes
WIP™ Scale: $13.25
Where Viewed: United Artists Colorado Center 9 & IMAX, Denver, CO
When 1st Seen: 15 November 2007
Time: 9:30 pm
DVD Release Date: 26 February 2008 (click date to purchase or pre-order)
Film's Official WebsiteFilm's Trailer

Soundtrack: Download now from Alan Silvestri - Beowulf (Music from the Motion Picture) - or - order the CD below

Directed by: Robert Zemeckis (The Polar Express)
Screenplay by: Neil Gaiman (Stardust) • Roger Avary (Silent Hill) based on the Anonymous epic poem "Beowulf"

Featured Voice Cast (Where You Might Remember Him/Her From):
Ray Winstone (Breaking and Entering) • Anthony Hopkins (Fracture) • John Malkovich (Eragon) • Robin Wright Penn (Breaking and Entering) • Brendan Gleeson (HP: Order of the Phoenix) • Crispin Glover (Epic Movie) • Alison Lohman (Things We Lost in the Fire) • Angelina Jolie (The Good Shepherd)


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Click to read the spoiler points for Beowulf
Let "I am Beowulf" become the next catch phrase for the youth of today and watch a twinkle in the eye of English Literature professors the world over as their 3183-line poem becomes a major event and the first feature-length, 3D motion capture, IMAX® film ever made . Robert Zemeckis, the wunderkind director of some of the most enjoyed films ever such as the Back to the Future trilogy, Forest Gump, and Cast Away, has been leading the world down a new path in the realm of a specific genre of animated films known as motion capture where the actors wear special suits with microdots to input their every movement into a camera and then computer. This allows for perfectly lifelike motions of the characters, but it also allows for something else. As we saw in Peter Jackson's LoTR trilogy, specifically the character of Golum (Andy Serkis in a motion caputure suit) and then in his King Kong (again Andy Serkis), the process then allows the computer animators to enhance or alter the physical appearance in any way they see fit. The technique has purists worried prompting last year's changes to rules as to what is eligible for the Academy Award® for best animated film and probably the Screen Actors Guild too over concerns as to how far we are from not needing actors any more. If Beowulf is any sign of things to come, it would seem like we are not that far for you've never seen more realistic human animated creations in your life. Every hair on Beowulf's beard looks real. His body is incredible.

"… a stunning cinematic achievement and experience in 3D IMAX®. It probably shouldn't be seen any other way."
Grendel's mother's not too bad herself. With Ray Winstone being the voice and facial figure (not the body figure) for Beowulf, and Angelina Jolie being the face and pretty close if not the body for Grendel's mother, the techniques exemplify the possibilities for being able to create pretty much any look the imaginations of the animators can conjure. The net result is both mesmerizing and visually confusing at the same time. With the overlay of 3D special effects, the animation, and the IMAX® size all at once, seeing the film in this format is mind-blowing. Really, no one has ever seen anything like this before. In many ways, it looks and feels a lot more like being inside a state-of-the-art video game realm than a movie. From the opening IMAX® 3D logo which literally envelopes you in a liquid world to the new 3D Paramount logo with stars that float out front of you before encircling the magnificent mountain peak, to the 3D title of the film, each of these steps takes your eyes and, therefore, mind, deeper into the experience. All of this technology takes its toll and many who see the film will find it overwhelming and, perhaps, distracting from the central story. Purists of the Beowulf epic poem also may have their sources for disgruntlement for, as always, Hollywood has taken liberties with the interpretation of the source material.

In this version, the tale opens with King Hrothgar (voiced by Sir Anthony Hopkins) and his minions celebrating in his new Great Hall with merriment and mead. Unfortunately, the noise and good fun attracts the creature Grendel (voiced by Crispin Glover) who comes to terrorize and shut up the party. Looking like the by-product of spawn formed in a toxic waste dump with bulbous flesh, open sores, and ghastly wounds, the troll-like giant is virtually invincible. He kills several men before hauling a body back to his underground cave lair. His mother congratulates him on his spoils. The massacre prompts the aging, doughy king to call upon the world to bring his people a hero capable of slaying his nemesis in exchange for half the gold in his kingdom. Across the sea, the great Geat warrior Beowulf (voiced by Ray Winstone) who subsequently arrives to slay the beast. Hrothgar knew Beowulf's father well, and is thrilled he's accepted this challenge. Upon first setting eyes upon Hrothgar's Queen Welthow (voiced by Robin Wright Penn) Beowulf feels an instant connection. He also realizes that Hrothgar is but using her to produce an heir. At a huge celebration that night designed to attract Grendel and lure him to his slaughter by Beowulf's men, he stares into her passionate eyes longingly. After the king retires and she sings them one more soulful song, Beowulf strips down to his birthday suit determined to fight Grendel fairly in similar states of undress. Eventually, the monster arrives and Beowulf must use his skills and brains to defeat the monster resulting in the severing of one of his arms as a trophy. The story then manages to take on some interesting side steps and alterations to the mythology (see the spoiler for more precise details), while maintaining some adherence to the original three part structure of battles: one with Grendel, one with Grendel's mother, and one with a fiery dragon. The themes of the emergence and spreading of Christianity north are also maintained with the king's advisor Unferth (voiced by John Malkovich) reminding everyone that perhaps prayers to the Christian God would help as well.

Normally, in animated films, no one talks about the acting really. There isn't any acting, there's just great or not so great animation. But, in this case, it does seem more like a logical topic in reference to the film because of the realism. So, for what it's worth in the animated sense of it, Ray Winstone's Beowulf is incredible. And with all due respect to one of Robert Zemeckis's previously ranked "sexiest cartoon character ever" Ms Jessica Rabbit, Beowulf is certainly her new male rival. Those curious with how he might take on Grendel in naked cage fighter style might like to know that the truly curious of Beowulf's total physique will be disappointed by all manners of objects placed to prevent sighting his full manhood keeping the film in the rated PG-13 category. No doubt You Tubers™ will find ways around this once the DVD comes out for those who found themselves trying to peak around the 3D objects during the film. Not to belabor the point of Beowulf's lack of costuming during this legendary battle, but what it does do is show off the animation techniques as the animators are able to very precisely replicate the true human form in its natural state. The result is a surprisingly effective battle what works on a number of levels the most important of which is in fully illuminating the depths of Beowulf's ego. Meanwhile, the animated versions of John Malkovich and Angelina Jolie were nearly as good as the real thing. Hrothgar would have been great, were it not for the fact that he just seemed too dough and chubby, almost more like the Pillsbury® Dough Boy than a real king. The women, with the extreme exception of Grendel's mother, were generally did not appear to have been animated with quite the same degree of care as the men.

Technically, visually, Beowulf leaps to the forefront of the technology and in allowing a filmmaker to directly convert or translate his or her imagination into reality. The possibilities are limitless. No one has yet used the technique to make a regular dramatic love story, and most of us will hope they never do. Just use real people for goodness sake.


"… leaps to the forefront of the technology and in allowing a filmmaker to directly convert or translate his or her imagination into reality."
But, to make an epic action story like this with creatures, dragons, demons, and epic heroes, why not? And the 3D technique allowed for a truly engaging engulfment into the world of Beowulf like no other has ever done before. When it comes to the story, no matter what, it has always seemed like the story isn't quite long enough to aptly fill a feature film. And this shows up in this version which seems to have to invent conflicts to propel the story along and fill the time. There's just not enough forward and back story to really sustain the film. This makes for some segments that are mildly less interesting or entertaining than the rest of the film. Cutting these out, though might have left a running time of 60-70 minutes—which also might have been just long enough to enjoy being exposed to the technology without feeling overwhelmed. On the whole, Beowulf is a stunning cinematic achievement and experience in 3D IMAX®. It probably shouldn't be seen any other way.


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Cast Members
Ray WinstoneAnthony HopkinsJohn Malkovich
Robin Wright PennBrendan GleesonCrispin Glover
Alison LohmanAngelina Jolie
Director
Robert Zemeckis
Writers
Neil GaimanRoger Avary
Book
CD Soundtrack
DVD
VHS
Video Games
Models
2005 Version DVD



Review-lite Beowulf (2007) [max of 150 words]
Technically, visually, Beowulf leaps to the forefront of the technology allowing director Robert Zemeckis to directly translate his imagination of this epic action story with creatures, dragons, demons, and epic heroes into reality. The 3D technique allowed for a truly engaging engulfment into the world of Beowulf like no other has ever done before.

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